Music
The latest released works
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Having finished Rho Ophiuchi and after I finished two more tracks for a current customer I’ll be taking some time away from the music, apparently. A hard problem needs solving soon, and all my attention will be likely dedicated to it. Still I’d be happy to hear suggestions on what synth should I do banks
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Actualized quite a few pages here, including ‘bands’, ‘solo works’, and ‘soundware’ sections. Added all recent releases – it appears I had as many as four full-lengths this year, and the new items at blacksidedsun.gumroad.com. This was a very productive year, and more is in the works.
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Finally managed to revive Absynth 5 in my system. Native Instruments dropped it from their active roster, and even those who have purchased it earlier may have hard times installing it on Windows 10. In my case it was kinda outrage: Native Access (a controlling/licensing/updating software) would download an .ISO file, then report installing it…
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‘The Day of Life Forgotten,’ the experimental electronics net-label, have released black-sided sun’s latest album ‘Summa Timorum’ (The Sum of Fears). As per label’s message: ‘Dark ambient, post-industrial, experimental electronics. New album by black-sided sun delivers exceptionally dark and precisely detailed sound scape. An epic, and hopeless, sound canvas, both startling and attracting at the
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Autumn hits hard: temperatures are down, if it rains, it pours, and the intense live season is basically through, although Sombra Del Mar isn’t going to slow down: we’ve booked for a month ahead. I believe over these recent months I’ve played more live shows than ever before – I mean, probably more than throughout
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I’ve blogged recently about the AI muzak from YouTube that I have to hear every time as our band’s scrambling for live performing. It looks like there’s kind of a development. Expectedly unexpected – or vice versa: the AI ‘reimaginings’ of classic rock music – or any other. I’ve bumped into a flick of Scorpions’
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Metallic groans, clangs, tinklings, jinglings, blips, radio static with something alien coming through, – PHI MU LABS: COLD FOUNDRY is the soundbank for KORG WAVESTATE & WAVESTATE NATIVE assembled specifically for creating the unsettling, dystopian, grim cinematic atmospheres. It largely consists of field recordings, including those created back in early 2000s. Some of them (not
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A quartet of expats from Russia and Belarus. Seen a thing or two in our lives, some even more than they ever wanted to. Nowadays we’re playing music that is in high demand, and surprisingly those are rock’n’rolls above all things. Frankly I’m no big fan of the old rock’n’roll when it comes to listening,
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Static Apparitions has hit 202 collections on Bandcamp now. The highest score, however, still holds 2023: The Longest Road, part I – 312 collections: Its followup landed in 274 Bandcamp accounts: The long-in-the-work Aurtengwl is in 280 collections so far: Other than that there was Detritus, the album released by Russian net-label ‘The Day of
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First place in Drone category on Bandcamp, and fifth place in Ambient category right now. Also dropped the special version, as promised:
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Static Apparitions – a new release of my project ‘black-sided sun’. Genre – dark ambient. Released by Neotantra label (a lot of gratitude goes to Lee Norris). Released as free download. Tomorrow I’ll launch a special version of this album on my own page.
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Dropped the first track from the next album last night. The track is called ‘Sleep’, and the album – ‘Summa Timorum’ (Lat. ‘The Sum of Fears’). Genre: Noise, Dark Ambient, Industrial.Release: TBA The track has been created using Surge XT and Vital, custom-made patches only.
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Just dropped another preset library – this time for DCO-106, Cherry Audio’s take on Roland Juno-106. Get it here: https://blacksidedsun.gumroad.com/l/pj106 These timbres are re-implementation of my earlier presets for TAL U-NO-LX synth – PJ-6. The initial idea was to set the sliders in the same positions and see what holds. But that just did not
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Back in 2020, during the COVID pandemic, I’ve completed one of the longest of my projects – an LP ‘Equinox: The Rite of Spring’. It tells about a catabasis-type journey through the night of Spring Equinox, i.e. March 20. A journey that followed a catastrophe. It started out in 2011 with a very grim two-part
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Have my hands full with rehearsals and gigs – we’ve got some kind of a residentship with a local venue, which is an Irish Pub. The only problem for me is that it’s located on the other end of the city from our appartment, heh. On the other hand, walking just under 3 miles one
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Finalized a track yesternight, did some rough mixing-up earlier today. The electric guitar parts are real: awfully recorded four layers. I’m getting somewhat better with guitar tremolo, but it’s way too far from ideal. Well, it’s a demo, anyway.
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The weekend is going to be busy: Quite unfortunately I’ve been hit with nasty flu, so I’ll have to perform wearing a medical mask this time. Not an enjoyable experience. Elsewhere, it is utterly enjoyable to see how many people come to download Luminophore pack. And it looks like it’s not only about being free
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Recently looked into my – quite multiple – bandcamp accounts and discovered that the very first album by my first band had been released around this time back in 2007. 18 years ago. I was 18 years old myself when this project – Lacklustre Mirror – started out. Had zero comprehension how things are done
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…If/when you do right, every gig is a celebration. At least it should look like the one for the audience. It’s nice if it feels like the one for the performers – a better rapport with the audience is invoked then…
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The independent web-label ‘The Day of Life Forgotten’ (Rus) have just released its seventh VA compilation from ‘Journeys, Wanderings and Immersions’ series. It features a track called ‘1000 Days’ by black-sided sun. The composition had been created using only custom-made timbres for Dexed (a Yamaha DX7 emulator), SurgeXT, Full Bucket WhispAir, and NI FM8. Below
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For some of my projects I used (somewhat maligned, occasionally) Z3Ta+ 2 synth by Cakewalk. The migration is always painful, but with this thing it is a whole new dimension of torture and misery. :-) Thing is, activating it is a very non-straightforward process, and having proper CD keys for Steam-based version in my case
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In May 2006, i.e. just under 19 years ago, I self-released the second LP with my project Decembered. It was called ‘A Treatise on Eschatology’. I was pretty much into Gnosticism back then, and basically that’s what the album was all about. Re-listened to it recently. Although those weren’t the brightest days of mine, the
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…Those are totally great about gigging: first is seeing people burst into dance to a classic rock music – I didn’t expect the old rock-n-roll is still that popular. Second – a blissful hush afterwards. A relative one, of course, – in the streets even past midnight there are still cars, some people and the
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Will play tomorrow late evening with Sombra Del Mar band in Batumi. For the first time. Wish me luck. We start at 21:30. Sinori Pub, 14, Marjanishvili str. Come to see us and listen to some real rock’n’roll!
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Just read somewhat a troubling news that My Dying Bride seems to have parted ways with their vocalist Aaron Stainthorpe. Or, rather, they are coming out of their hiatus (which saw them cancelling all the shows in 2024) next year and doing at least one festival with Swallow The Sun‘s frontman Mikko Kotamäki. It is,
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Joined a cover band as a keyboardist. The Beatles, Joe Cocker, Pink Floyd, Stray Cats, etc. I guess 20 years ago I’d object doing something like this out of pride – and illusions. Now it’s just another job to sustain myself in emigration. And by all means, the good and honest one.
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Going full steam ahead with making the second installment of my Phi Mu Labs – the FM-based timbres library for Korg wavestate. Cherry-picking or dialling up the timbres are fun, adapting them for the synth – much less so. Basically I render 14-16 .WAV files – two per octave (C and G notes). Some timbres
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Will improvise some dark ambient with my #blacksidedsun project later tonight. If I get lucky, I’ll be able to record some stuff too. Not sure yet, though.
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I’ve owned Yamaha DX7 for many years. Got it second-hand in a working, but cosmetically drastic condition. For a time being it was one of the keyboards I used religiously both on stage and in studio, considering it much more of an ‘honest’ synthesizer than any ROMplers I owned aside from that. However, since discovering
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